photo by Vigour and Skills
Collage makes up an important part of my practice. I see it as a hybrid language—one that mirrors the world we live in, blending fragments of everyday life into something both familiar and strange. It becomes a space where time, place, reality, and fiction weave together into a layered narrative.
I experience life through fragments, imperfections, and small details. The materials that surround me—everyday things—are reused, altered, and re-ordered to form new compositions. These rearrangements are not random; they carry an internal logic, a structure of their own, born out of intuition and intention.
My process is guided by a deep love of material and making. Tactility matters. I work with a range of materials and textures, letting them guide the rhythm of the work. Certain universal forms—circles, arches, domes and portals—recur in my pieces, which resonates across cultures and time.
In this way, my collage work is not just about what’s seen, but what’s felt—what’s remembered and what’s imagined. It’s a quiet negotiation between chaos and order, the past and the present, the personal and the collective.
Collage makes up an important part of my practice. I see it as a hybrid language—one that mirrors the world we live in, blending fragments of everyday life into something both familiar and strange. It becomes a space where time, place, reality, and fiction weave together into a layered narrative.
I experience life through fragments, imperfections, and small details. The materials that surround me—everyday things—are reused, altered, and re-ordered to form new compositions. These rearrangements are not random; they carry an internal logic, a structure of their own, born out of intuition and intention.
My process is guided by a deep love of material and making. Tactility matters. I work with a range of materials and textures, letting them guide the rhythm of the work. Certain universal forms—circles, arches, domes and portals—recur in my pieces, which resonates across cultures and time.
In this way, my collage work is not just about what’s seen, but what’s felt—what’s remembered and what’s imagined. It’s a quiet negotiation between chaos and order, the past and the present, the personal and the collective.
Please contact me below if you are interested in my work, or future collaborations
MA Fine Art - Chelsea School of Art
BA Hons Fine Art - Slade School of Art
A selection
RWA 2025 Biennale - Paper Works, RWA Bristol
Shortlisted Contemporary Collage Magazine 2024
Works on paper 2024, Green & stone Gallery, Fulham
RA Summer Show 2022
Zero Graviyt, MC3 Projects, Outdoor sculpture trail, East Sussex
Pieces of Spaces, works on paper, Islington
How the light gets in, Group Show, Hay o Wye, Wales
Neo Art Prize 2015, Neo Gallery, Manchester
Springboard, group show, the Cookhouse, Chelsea School of Art, London
True False Fiction, Seven Sisters Story, London N4
Things in their Elements, group show, London SE1
Shortlisted – Beers Contemporary Award
Neo Graduates 2013, Group show, Manchester
Artist-in-residents, Gate theatre/Chelsea Arts Club Trust, Strindberg Dance of Death
Shortlisted – Beers Lambert Contemporary Vision 2013
Shortlisted – Red Mansion Art Prize 2013
Shortlisted – Clifford Chance Sculpture Price
Artist residency – New Delhi, India
Salon Art Prize, Matt Roberts